Partnerships
The travel goes further when the industry travels with me.
I cover destinations properly and the people who benefit from that coverage help make the trip possible. Here is exactly how that works, and what it costs you.
- Open to
- Hotels, operators, airlines, boards
- Output
- Episode + verticals + stills
- Crew
- One
Who this is for
I am looking for the next place worth filming.
Ninety countries in, the limit is not curiosity — it is cost. So I work with the industry that benefits from the coverage. If you have somewhere that deserves an audience, this is the trade.
Hotels & resorts
A narrated episode built around the place, not a room tour. Plus vertical cuts and a stills library you keep.
Tour operators & DMCs
Route coverage that shows the itinerary as it is actually experienced — useful when you are selling something people cannot picture yet.
Airlines & rail
New-route storytelling. The destination is the product; the journey is the hook.
Tourism boards
Coverage of the parts of the country the campaigns never reach, in a format that behaves like editorial rather than an advert.
The terms
Said plainly, up front.
- What I bring
- The full production — shooting, edit, voiceover, colour — and distribution across the channels. One person, no crew to feed.
- What I ask
- Costs covered on the ground, a fee proportionate to the usage, and enough days to actually see the place.
- What I keep
- Editorial control of the story and the episode on my own channels. Everything else is negotiable.
- What you get
- Licensed use of the footage and stills for your own channels, agreed in writing before anything is shot.
Rates depend on length of stay, exclusivity and how you want to use the material. Send the brief and you will get a number back, not a rate card.
Send a brief
Tell me where, and when.
The more concrete the better — dates, what you want covered, and what you would want to use the material for.